Designer:

Riccardo Olocco
In 2019 he completed his PhD A new method of analysing printed type: the case of 15th-century Venetian romans at the University of Reading, while in 2022, with Michele Patanè he wrote Designing type revivals. In the early 2010s he was a lecturer in Typography at the University of Bolzano, and during the late 1990s, he freelanced as a typeface and graphic designer in Milan and elsewhere in northern Italy. He publishes articles and lectures and is a member of the Nebiolo History Project.
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Medium articles

Notes on the rotunda types of the Renaissance

Early ‘non-Jensonian’ Venetian romans

The influence of Jenson on the design of romans

The final act at Nebiolo: the quest for a ‘universal’ typeface (1/2). Forma

The Venetian origins of roman type

The inner consistency of Gerard Unger

Nicolas Jenson and the success of his roman type

Novarese and Butti, a story to be (re)written
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