In case of type
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Philologically digitised by Alessandro Colizzi, the latest production from the CAST Foundry revives Giulio da Milano’s modernist monocase sans released by Società Nebiolo Torino in the early 1930s. Equipped with an enticing load of alternate forms, ligatures and other type niceties, and available in four styles and five weights (plus the shaded version Ombra), the Neon face is back to the future
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Scotland born & based, farsighted designer Leo Philp introduces Fulmar, his brand new book face for CAST Foundry — the Scotch Roman which ‘might wear a hat, but never indoors’. Named after a North Sea seabird, Fulmar claims connections with Alexander Wilson and the foundry of Miller & Richard and draws inspiration from the Romain du Roi. With its practical beauty, it comes in five weights, ten styles, small caps, number sets and a couple of quirks you will fiddle about with
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Is there anything special about Giulio Galli’s Capraia? Take another look at this book typeface and see if you can spot anything… More information below
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The new family of sanserifs designed by Tipiblu is a blend of Italian flamboyance and Swiss rigour. With its two main styles, each coming in seven weights and with matching italics, it is eminently suitable for publishing and advertising
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This angular typeface design by Riccardo De Franceschi for CAST Foundry works nicely for both text and display. Design influences range from Alpine landscapes to Oldřich Menhart’s work and to a certain kind of 1970s photocomposition feel. Valnera comes in eight weights with matching italics as well as Valnera Monster – a rather special guest. Furthermore, in the random version of the type family, two ‘almost random’ procedures allow for dynamic patterns in the shaping of text
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Luciano Perondi and Riccardo Olocco have designed Sole Sans, the new sans created to accompany Sole Serif. Interview by Massimo Gonzato
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Luciano Perondi talks about his modular typeface and its new features: moustaches, brackets and underlinings. Here come Macho Moustache and Macho Modular
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Since 21 January 2018 The Observer uses the Sole Serif face, designed by Luciano Perondi for Il Sole 24 Ore and now further developed by CAST for the relaunch of the oldest Sunday paper in the world
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